… sus sentimientos y formas de la vida con el fin primordial de transmitir ideas en la sociedad. *la belleza es subjetiva, no es necesariamente bella pero si deber ser estetico *estetico se percibe a traves de los sentidos. Origenes del arte y…

… work influenced and inspired many people. It seems that he tried to express his feelings through his paintings, by including many imaginative objects and people. Paintings such as "The Potato Eaters," which show a group of people feasting on potatoes,…

… concepts of history and art. Most think of art, quite correctly, as tangible objects people can see and touch. They tend to think of history as the record and interpretation of past human events, more closely, the social and political actions and events.…

… in his artwork. Michelangelo's artwork consisted of paintings and sculptures that showed humanity in it's natural state. Michelangelo's poetry was pessimistic in his response to Strazzi even though he was complementing him. Michelangelo's sculpture…

… visual representation of what the artists is feeling or trying to show. All people need to have the freedom to express opinions and feelings to the extent that is acceptable, but who is to say what is acceptable? Beauty is in the eye of the beholder,…

… - of the people, by the people, for the people. Commedia dell'arte is definitely an art form centred on people and their world. Commedia del'Arte emerged in Tuscany around 1550, Although its origins are hazy due to the illiteracy of its first performers…

… in Florence 1435, under the name of Andrea de Cione ( he later changed his name to Andrea del Verrochio). Andrea del Verrochio was a sculptor, painter, goldsmith, and master to Botticelli, Leonardo da Vinci and Perugino. Andrea del Verrochio ranked…

… copies the words of the Koran, he washes his face, hands and feet as if he were going to pray. The pen he writes with is made from a reed that was buried in manure for four years to achieve the correct red colour. His ink is soot ground to powder,…

… for their excellent sculptures and amphorae, they must also be credited for mastering panel painting. The main reason that they are not more widely known of is the plain fact that many have either been destroyed or depleted throughout the years.…

… is our burden" (23). It is this encumbrance, however, that shapes the literature of two of the most powerful and influential authors of this era, Ralph Ellison and James Baldwin. Though they have opposing views on the role experience and sociopolitical…